Gregory Crewdson’s Retrospective Exhibition at the Albertina Museum

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If you haven’t had a chance to see Gregory Crewdson’s retrospective exhibition yet, stop by the ALBERTINA MUSEUM. What is Gregory Crewdson known for? Gregory Crewdson is an American photographer known for his highly staged, cinematic images that often depict eerie and surreal suburban scenes. Born in 1962, in Brooklyn, New York, Crewdson’s work blurs the lines between photography and film, creating elaborate narratives within a single frame.

Gregory Crewdson Untitled, From the series: Beneath the Roses, 2003-2008 144 x 223 cm, Digital pigment print The ALBERTINA Museum, Vienna – Permanent loan, Private Collection © Gregory Crewdson

How is the Albertina Museum presenting Gregory Crewdson’s exhibition?

Gregory Crewdson  is one of the world’s most renowned photographers. Since the mid-1980s, Crewdson has been using the backdrop of small American towns and film sets to create, like a director, technically brilliant and colourfully seductive photographs that focus on human isolation and the abysses of society. The enigmatic scenes self-reflexively raise questions about the boundary between fact and fiction but can also be related to socio-political developments.

Gregory Crewdson Untitled, From the series: Twilight, 1998-2002 122 x 152 cm, Digital pigment print The ALBERTINA Museum, Vienna – Permanent loan, Private Collection © Gregory Crewdson

The retrospective at the ALBERTINA comprises a total of nine groups of works, created over the last three and a half decades and conceived serially. Starting with his Early Work (1986–1988), the exhibition includes Crewdson’s best-known series such as Twilight (1998–2002), which depicts scenes shaped by cinematic language, with people being confronted by unexplainable phenomena in their everyday lives. The impressive, mysterious large-scale scenes from the Beneath the Roses series (2003‒2008) deal with people’s isolation and alienation from their environment. The most recently completed group of works Eveningside (2021–2022) portrays an unheroic image of a fictional small town of the same name in atmospheric black and white. Following Cathedral of the Pines (2013–2014) and An Eclipse of Moths (2018–2019), Eveningside represents the final part of a trilogy through which the artist examines the social decline of society far removed from the American dream.

Gregory Crewdson Untitled, From the series: Early Work, 1986-1988 39 x 58 cm, Digital pigment print The ALBERTINA Museum, Vienna – Permanent loan, Private Collection © Gregory Crewdson

On view from 29 May until 8 September 2024 at the ALBERTINA Museum in Vienna.

 

 

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