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FARSICKNESS / HOMESICKNESS / HOMELESSNESS (#MEANING OF HOME_2022, Novi Sad, 2022) je treća knjiga u izdanju Kreativno-edukativnog centra Art Box. Njeni autori su književnica Ljiljana Maletin Vojvodić i vizuelni umetnik Dragan Vojvodić, za dizajn je zaslužan Dejan Ilić, a knjiga je pripremljena za objavljivanje kao e-izdanje na engleskom jeziku (sa uvodom na srpskom) decembra 2022. godine.
https://issuu.com/ljiljanamaletin/docs/ljiljana_maletin_vojvodic_dragan_vo_c1130b660270d7
Ova umetničke knjiga je rezultat konceptualnog, kolaborativnog, istraživačkog rezidencijalnog projekta 2016–2022 njenih autora kao i internacionalne grupne izložbe realizovane 23. 11 − 12. 11. 2022 u Kreativnom distriktu u Novom Sadu u okviru programskog luka „Druga? Evropa“, zahvaljujući Fondaciji „Novi Sad – Evropska prestonica kulture 2022” .
Šta znači propitivanje koncepta ‘doma’?
„Farsickness/Homesickness/Homelessness (#Meaning of Home 2022)” predstavlja dugogodišnji, interdisciplinarni, kolaborativni projekat (istraživanje, ankete, tekstualni i audio-vizuelni radovi, performans) Kreativno-edukativnog centra Art Box, nevladine organizacije iz Novog Sada, koji su multimedijalni umetnik Dragan Vojvodić i književnica Ljiljana Maletin Vojvodić realizovali tokom svojih rezidencijalnih i istraživačkih projekata, u saradnji sa umetnicima i lokalnim stanovništvom u gradovima prestonicama kulture (Plzeň 2015 i Tartu 2024), internacionalnim rezidencijalnim centrima (Typa museum, Konstepidemin, Nelimarkka museum, Gunnarshús), udruženjima umetnika i nevladinim organizacijama u Finskoj, Estoniji, Češkoj, Švedskoj, Japanu (EU-Japan Fest), na Islandu.
Interdisciplinarna izložba „Farsickness/Homesickness/Homelessness”, realizovana u saradnji sa volonterima iz Estonije (Izabella Eck, Nima Sarabi: „Tartu through foreigner’s eyes”, Tartu 2024), umetnicima iz SAD (Anthony Cervino: „Homemade”, kustoskinja Shannon Egan, Ejecta Projects), Japana (umetnici u Art Box rezidenciji u Novom Sadu) i Švedske (Nils Ramhøj: „Rekonstrukcija – Nostalgija breza”), kao i sa multimedijalnim umetnikom Stevanom Kojićem („Samoodrživi sistem apsurda”), psihološkinjom Majom Babić (Gerontološki centar „Novi Sad”), dizajnerom Dejanom Ilićem, i Virtual. Unit, creative VR lab-om iz Novog Sada, preispituje fenomen doma u interdisciplinarnom, lokalnom i internacionalnom kontekstu.
Knjiga, koja prati navedenu izložbu, sadrži sledeća poglavlja:
CONTENT
Farsickness / Homesickness / Homelessness
(#Značenje doma_2022)
Farsickness / Homesickness / Homelessness
(#Meaning of Home_2022)
Šta znači propitivati koncept ‘doma’? / What does it mean to examine the concept of home?
“Third Skin”
“Home is the place that generates Other”
Survey
Cooperation with the Ejecta Projects / “HOMEMADE: Making a Home with Anthony Cervino” by Shannon Egan
Homesickness / Reconstruction – Betula nostalgija
Relocation / Expropriation / Nedeljice / Brezjak
Self-sustinable system of absurdity
Black Carbon
Cooperation with TARTU 2024 / Tartu through forigner’s eyes
The power of personal initiative / Interview
Japanese artist during ART BOX artist-in-residence 2019–2022
What does it mean to examine the concept of home?
“Farsickness/Homesickness/Homelessness (#Meaning of Home 2022)” represents a long-term, interdisciplinary, collaborative project (research, surveys, textual and audio-visual works, performance) of the creative educational center Art Box, the non-governmental organization from Novi Sad, which has been realized by multimedia artist Dragan Vojvodić and writer/artist Ljiljana Maletin Vojvodić, during their residency and research projects in cooperation with artists and locals from the European Capitals of Culture (Plzeň 2015 and Tartu 2024), international residency centers (Typa museum, Konstepidemin, Nelimarkka museum, Gunnarshús), associations of artists or non-governmental organization in Finland, Estonia, Czech Republic, Sweden, Japan (EU-Japan Fest) and in Iceland.
The interdisciplinary exhibition “Farsickness/Hmesickness/Homelessness”, was realized in collaboration with volunteers from Estonia (Izabella Eck, Nima Sarabi: “Tartu through foreigner’s eyes”, Tartu 2024), artists from the USA (Anthony Cervino: “Homemade”, curator Shannon Egan, Ejecta Projects), Japan (artists-in- residence, Art Box, Novi Sad) and Sweden (Nils Ramhøj: “Reconstruction –Betula Nostalgia”), also with multimedia artist Stevan Kojić (“Self-Sustainable System of Absurdity”), psychologist Maja Babić (Gerontology center “Novi Sad”), designer Dejan Ilić, lighting designer Boris Butorac and Virtual. Unit, creative VR lab from Novi Sad, explores the ambiguity and individuality of concepts such as home, affiliation, and identity.
Izdavač / Published byKreativno-edukativni centar Art BoxZa izdavača / Executive PublisherDragan VojvodićUrednica / Editordr Maja Rogač StančevićAutori projekta / Project AuthorsLjiljana Maletin Vojvodić, Dragan VojvodićSaradnici na projektu / project assotiatesAnthony Cervino, Nils Ramhøj, Nima Sarabi, Izabella Eck, Stevan Kojić, Dejan IlićTekstovi / Texts byLjiljana Maletin Vojvodić, Shannon Egan, Izabella EckPrevod na engleski jezik / English translationSara MilačićPrevod na srpski jezik / Serbian translationMaja Rogač StančevićLektura / ProofreadingMaja Rogač StančevićDizajn / DesignDejan IlićFotografije / Photographs byLjiljana Maletin Vojvodić, Anthony Cervino, Nils Ramhøj, Nima Sarabi, Dragan Vojvodić, Stevan KojićPartneri na projektu / Project partnersEjecta projects, Tartu 2024
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